Transsiberian (2008)

With TRANSSIBERIAN, Brad Anderson proves once again that he has an exceptional ability to craft a suspenseful thriller. Leaving behind the overtly Hitchockian style that made THE MACHINIST such an interesting formal exercise, Anderson this time shoots his film in color and roots it firmly in the present. Roy (Woody Harrelson) and Jessie (Emily Mortimer) have just finished working with children overseas as part of a church project. Before flying back to the States, they decide to travel from Beijing to Moscow on the Trans-Siberian Express train, where they meet two fellow travelers, the handsome Carlos (Eduardo Noriega) and young Abby (Kate Mara). The couples bond, but gradually Jessie becomes worried that her new friends are involved in drug trafficking. At that point, the web has been spun, and when the intimidating Russian detective, Grinko (Ben Kingsley), arrives, Roy and Jessie become innocent targets in a dangerous chase. Anderson's script, co-written with Will Conroy, helps to elevate TRANSSIBERIAN beyond mere thriller status. Without the suspense, it remains a well-executed portrait of a complicated relationship between two real people. Mortimer is her usual fantastic self, and it's fun to watch Harrelson play an average, upbeat American guy. Throw the always riveting Kingsley into the mix and you have a motion picture that is above average in every way. By the time the film reaches its payoff, viewers will have felt as if they, too, took a ride on the Trans-Siberian Express. Director: Brad Anderson Screenwriter: Will Conroy, Brad Anderson Producer: Julio Fernandez Composer: Alfonso De Vilallonga Cast: Woody Harrelson, Emily Mortimer, Kate Mara, Ben Kingsley, Eduardo Noriega, Thomas Kretschmann, Mac McDonald, Colin Stinton

The ΟΤΗΕRS (2001)

The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy. THE OTHERS begins with a close-up of a woman screaming. By the time this intense film ends, everyone watching it will be screaming and gasping. Nicole Kidman stars as Grace, a woman raising two children by herself in a creepy mansion. World War II is over, but Grace's husband never returned. Meanwhile, the two children, Anne and Nicholas, must constantly stay in the dark because they are deathly allergic to light. Then one day three people show up to take over for Grace's disappeared staff, and trouble starts to brew. The odd trio--an aging nanny, an elderly gardener, and a young mute girl--seems to have a slightly different agenda than Grace and the children do. But when Anne starts talking to strange, unseen people, the scares start building to an incredible climax. Alejandro Amenábar's highly stylized English-language debut is one of the better haunted-house films of the past few years. Not only did Amenábar write and direct the film but he composed the eerie music as well. Nicole Kidman is outstanding as the overprotective mother trying to save her children, while Fionnula Flanagan excels as the nanny with a deep, dark secret. Because the children must remain in darkness, Grace must lock every door behind her, to make sure that the children don't accidentally enter a brightly lit room; it is a marvelous horror-film device that Amenábar uses to perfection. Director/Screenwriter/Composer: Alejandro Amenábar Producers: Fernando Bovaira, José Luis Cuerda, Sunmin Park Cinematography: Javier Aguirresarobe Cast: Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy, Eric Sykes, Kames Bentley, Renée Asherson, Alakina Mann, Andrew Wagner