ΕΙ espiחazο deΙ diabΙο (2001)

During the Spanish Civil War, newly orphaned Carlos is taken to a school for the children of those who died fighting against fascism. He is given the bed that formerly belonged to Santi, a boy who recently died during an attack in which a bomb dropped, landing in the school's courtyard undetonated, a reminder of impending danger. As the amputee headmistress (Marisa Paredes, ALL ABOUT MY MOTHER) and the embittered caretaker, Jacinto (Eduardo Noriega), engage in a love affair, the headmistress' cuckolded husband, the impotent but benevolent school doctor (Frederico Luppi) sits by passively. Meanwhile, after Santi's ghost repeatedly reveals itself to Carlos, another student spooks Carlos with a dark secret about the boy's death. War surrounds the school, violence infests it from within, and Carlos sets out to avenge the death of Santi. Taking on themes such as the brutality of war and the loss of innocence, Guillermo del Toro's (MIMIC) film skillfully combines elements of war, gothic horror, melodrama, and adventure to create a work that functions as both a genre film and a politically resonant piece of nostalgia. THE DEVIL'S BACKBONE uses history as a means of transforming what would otherwise be a routine ghost story into a powerful and affecting statement.